BrocoFlix: movies and TV shows, fresh every day

The name, and the broccoli

BrocoFlix took its name and its mark from broccoli, and the joke has stuck because it fits: a good film site should be good for you, full of variety, and something you come back to every day. The original sites lived at a few addresses, brocoflix.xyz the best known and brocoflix.lol before it, and their pages were built around a single bright green, the colour of fresh vegetables, on a page as dark as a cinema.

This site keeps that spirit and builds a proper catalogue behind it. The shelves are wide on purpose. A viewer who comes for this year's horror should find the 1982 original of The Thing a click away; a viewer who comes for Naruto should find Frieren; a viewer who comes for Seinfeld should find Taxi, the sitcom its writers grew up on. Each title carries its story, its cast, its original title and its running time or its full season list, and each has a Watch now button that sends it to the services licensed to play it where you are.

The name is also a small promise about variety. The catalogue mixes Hollywood, anime, British comedy, Mexican cinema and Canadian sitcoms, films from 1952 to this year, and series that run from six episodes to several thousand. Browse it like a market and you will leave with something you did not know you wanted.

The front page

The design is measured from the brocoflix.xyz stylesheets, which declared their palette as named colours, so the values here are the site's own. The page is a near-black, with panels a shade lighter and one green for everything interactive. The header floats over the page on translucent black with a soft blur, so posters scrolling beneath it glow through, and it carries the green BrocoFlix wordmark beside a broccoli mark, a rounded search pill that lights up with a green ring when you type, and the menu.

Below the header sits the featured panel, tall and wide, turning through the featured titles one by one: the artwork fills the screen, a dark caption box carries the title, the year, the score and the first lines of the story, and the green Watch Now pill opens the page, with small dots in the corner to jump between them. Then the rows begin, each heading painted with its own gradient the way the original did, coral for Featured Content, a rainbow for Trending Now, violet to gold for Popular Movies, and on through Dexter, Anime, Classic Cartoons and Star Wars.

Every poster card is rounded at the corners. Under the pointer it lifts slightly, the artwork dims, and a green play glyph appears in the middle, the small moment of delight the original designed and this site keeps. The typeface is Poppins, round and friendly, loaded in five weights. At the foot of the page sits a darker footer with green link chips.

Reading a card

Each card is the poster with the title and a short line of facts laid across its foot on a dark fade. For a film that line reads the year; for a series, the year and the number of seasons. The audience score follows in green, the TMDB score out of ten, with the vote count on the title page.

The cards are the same on every shelf, which makes the whole site easy to scan. A row of new films, a row of classic cartoons and a row of anime all read the same way: poster, title, year or seasons, score. Once you know how to read one card, the whole catalogue opens up, and the green score makes the best-loved titles stand out in any row without a second look. Hover or tap and the play glyph appears; that is the invitation to open the title and see where it plays tonight.

Tap the card and the title page opens with the story, the cast and crew, the original title and the countries of production. A series page lists every season, and each season opens on its episodes with their dates, runtimes and synopses, each with a Watched button that keeps your place. The Watch now button sits near the top in the same green as the featured panel's pills.

How the shelves are cut

BrocoFlix's shelves are cut the way people actually choose what to watch. Some are by mood: horror for a Friday night, the sitcoms for the end of a long day, the classic cartoons for nostalgia or for the children. Some are by kind: anime, science fiction and fantasy, crime and mystery, superheroes. Some are by language: español latino gathers everything made in Spanish.

Two shelves keep a story in order rather than sorting by popularity: Dexter and Star Wars, each arranged in the order the events happen, so you can start at the top and work down. And the time shelves, New in 2026, the classics before 2000 and the long-running shows, answer the questions "what is new?", "what is old and good?" and "what will keep me busy for months?".

A title can sit on several shelves at once. Stranger Things is science fiction, horror and a returning series; The Simpsons is a cartoon, a sitcom, a classic and the longest-running show on the site. That is deliberate: whichever door you come in by, the title is there.

The long-running shows

The long-running shelf holds twenty-nine series with a hundred and fifty episodes or more, and at the top is something remarkable: Sesame Street, with more than two thousand eight hundred dated episodes across fifty-six seasons since 1969, the longest run on BrocoFlix by far. PBS's Great Performances, with more than seven hundred broadcasts of theatre, music and dance, comes from the same public-television tradition.

The animated long runs follow: The Simpsons with more than eight hundred episodes, SpongeBob SquarePants with more than six hundred, Family Guy and South Park. One Piece passes eleven hundred. Among the live-action series, Supernatural, Hawaii Five-0, Seinfeld, The Office and Castle are the companions for a year of evenings.

For shows this long the episode marks matter most. Stop in the middle of a season, come back in a month, and the next episode is waiting.

Children's television

Beyond the classic cartoons, BrocoFlix keeps a strong shelf of television made for children. Sesame Street needs no introduction. Wild Kratts sends two brothers into the animal kingdom with creature-power suits, more than a hundred and seventy episodes of natural history disguised as adventure. The Epic Tales of Captain Underpants brings Dav Pilkey's books to life, and Slugterra is a western fought with slug-firing blasters underground.

Winx Club, the Italian fairy-school series, has more than two hundred episodes across eight seasons, and Wizards Beyond Waverly Place brings a new generation of Russo wizards. The family films shelf and Pixar sit alongside for movie night, and every title's Watch now list shows which services include it in a family plan.

Superheroes

The superheroes shelf mixes the classic and the irreverent. On television, The Boys and INVINCIBLE show what happens when heroes have too much power and too little conscience, while Batman from 1966, with its POW! and BIFF! captions, is superheroics at their most joyful. X-Men: Evolution sends the mutants to high school.

On film, James Gunn's Superman brings back a hopeful Man of Steel, Shazam! gives a teenager an adult hero's body, and Chloé Zhao's Eternals spans seven thousand years. The two Spider-Verse films, Into and Across, are among the best animated films of the century.

Comedy films

The comedy films run from gentle to wild. Judd Apatow's The 40 Year-Old Virgin made Steve Carell a film star. Seth MacFarlane's Ted gave Mark Wahlberg a foul-mouthed teddy bear, and its series ted goes back to the bear's early years. Just Go with It and Jingle All the Way are the easy crowd-pleasers, and Rush Hour the buddy comedy that made Jackie Chan and Chris Tucker a duo.

The sharper comedies are some of the best films on the site. The Menu is a tasting menu that turns into a satire of the rich. Everything Everywhere All at Once sends a laundromat owner across the multiverse and won Best Picture for it. Jojo Rabbit is a boy's imaginary Hitler, played by Taika Waititi, undone by kindness. And Aziz Ansari's Good Fortune sends Keanu Reeves as a guardian angel to swap two men's lives.

Musicals and music

For a musical evening, the shelf reaches from Hollywood's golden age to last year. Singin' in the Rain is the greatest of the MGM musicals, Gene Kelly dancing through the move to talking pictures, and Mary Poppins is Julie Andrews at her most practically perfect. Wicked and Wicked: For Good bring the Broadway hit to the screen in two parts, with Cynthia Erivo and Ariana Grande.

Better Man tells Robbie Williams's life story with the singer played by a digitally created chimpanzee, and it works far better than it has any right to. Great Performances brings the concert hall and the theatre home, and Hazbin Hotel is the animated musical of the internet generation.

Star Trek, and the ships like it

Star Trek has two series on BrocoFlix and a close cousin. Star Trek: Lower Decks is five seasons of animated comedy about the junior officers who do the jobs nobody films, written with deep affection for every Star Trek that came before. This year's Star Trek: Starfleet Academy goes back to school with a new class of cadets.

The Orville, created by Seth MacFarlane, began as a parody and became one of the most sincere Star Trek-style series ever made, three seasons of a mid-level exploratory ship. For something darker in the same space, Firefly and Black Mirror sit on the science fiction shelf nearby.

Teen drama and romance

The teen and romance series binge fastest of all. Heartstopper is the gentle British story of two schoolboys falling in love, three seasons of warmth. XO, Kitty sends Kitty Covey to a Seoul international school, and Off Campus is this year's college romance. Euphoria is the boldest, and Sex and the City the grown-up classic of four friends in Manhattan.

From Mexico, the documentary Niñxs follows a young trans girl growing up in the town of Tepoztlán, and the Argentine romance Sidewalls tells of two lonely Buenos Aires neighbours who keep almost meeting.

This year's films

New in 2026 gathers the year's arrivals, thirty-four of them so far. Project Hail Mary leads, Ryan Gosling as a schoolteacher who wakes alone on a spacecraft with a mission to save the sun, adapted from Andy Weir's novel by the directors of The Lego Movie. The Mandalorian and Grogu takes the Disney+ series to the big screen, and Avatar Aang: The Last Airbender brings the grown-up Aang to the cinema in animation.

The family end is strong: The Super Mario Galaxy Movie, Pixar's Hoppers, Swapped and GOAT. The horror end is stronger: Lee Cronin's The Mummy from the director of Evil Dead Rise, Primate, Passenger and Iron Lung, the video game adapted by its YouTuber creator. War Machine, Greenland 2: Migration and The Drama round out a busy year.

The series arrivals are on the same shelf: A Knight of the Seven Kingdoms, the gentle Game of Thrones prequel about a hedge knight and his squire, Star Trek: Starfleet Academy, Star Wars: Maul – Shadow Lord and Off Campus.

Last year's best

2025 was a remarkable year for genre cinema, and BrocoFlix has most of its best. Sinners, Ryan Coogler's vampire film set in the Mississippi Delta of 1932, with Michael B. Jordan as twin brothers opening a juke joint, became one of the most admired films of the decade. Weapons, Zach Cregger's story of a classroom of children who all run into the night at the same minute, was its eerie twin at the box office.

Danny Boyle returned to his infected Britain in 28 Years Later, Guillermo del Toro made his long-dreamed Frankenstein, and the Philippou brothers followed Talk to Me with Bring Her Back. Together is body horror as a relationship drama, and Good Boy is a haunted-house film told from a dog's point of view in seventy-three minutes.

Away from horror, Wicked: For Good finished the Oz musical, Wake Up Dead Man gave Benoit Blanc his third mystery, Wes Anderson made The Phoenician Scheme, Nuremberg put Russell Crowe opposite Rami Malek at the war-crimes trials, and Eternity asked who you would spend the afterlife with. Predator: Badlands, Superman and KPop Demon Hunters were the crowd-pleasers.

Dexter, in story order

Dexter is one of the names most often searched with BrocoFlix, and the Dexter shelf holds all four series in the order the story happens. Dexter: Original Sin comes first, set in Miami in 1991: Patrick Gibson plays the young Dexter joining the forensics lab as an intern, Christian Slater plays his father Harry teaching him the Code, and Michael C. Hall narrates as the man Dexter will become.

Dexter itself follows, eight seasons from 2006, Michael C. Hall as the Miami Metro blood-spatter analyst who hunts killers the law has missed. Its fourth season, with John Lithgow as the Trinity Killer, is one of the great seasons of television. Dexter: New Blood picks up a decade later in a snowbound town in upstate New York, and Dexter: Resurrection takes him to New York City, with Uma Thurman and Peter Dinklage among the new faces.

New viewers are best starting with the original and coming back to Original Sin afterwards, because the prequel's pleasures depend on knowing who Dexter grows into. The Dexter guide sets out both orders and how long each takes, and the episode marks keep your place across all four.

Horror

The horror shelf is one of the deepest on BrocoFlix, sixty films and series across fifty years. The classics come first: Brian De Palma's Carrie, John Carpenter's The Thing, perhaps the finest creature film ever made, Wes Craven's Scream, which reinvented the slasher by knowing its rules, and I Know What You Did Last Summer.

The modern favourites follow. Danny Boyle's 28 Days Later made the running infected a genre of its own. Neil Marshall's The Descent sends six friends into a cave system that is not empty. Jordan Peele's Get Out, David Robert Mitchell's It Follows and Osgood Perkins's Longlegs are the smart, unsettling ones; Final Destination Bloodlines, M3GAN 2.0 and Five Nights at Freddy's 2 are the fun ones.

The monsters of old Hollywood return here too: Interview with the Vampire, Van Helsing, The Wolfman and Leigh Whannell's Wolf Man, and Luc Besson's Dracula. For horror by the episode, Buffy the Vampire Slayer, Supernatural and Scream Queens are the ones to start with.

Sitcoms and cult comedies

The sitcoms shelf is where BrocoFlix is most quotable. Seinfeld leads it, nine seasons about nothing that changed television comedy. The Office, Parks and Recreation and Community are the comfort rewatches of a generation; Scrubs mixes hospital slapstick with real grief; New Girl is the loft full of friends everyone wanted to live in.

The cult comedies are a delight to discover. It's Always Sunny in Philadelphia has run eighteen seasons with the worst people in any bar. The IT Crowd is two nerds in a London basement asking whether you have tried turning it off and on again. Letterkenny is twelve seasons of rapid-fire wordplay from small-town Ontario. Inside No. 9 is a different half-hour story behind a different door every week.

The classics go back further: Taxi, the New York cab-company comedy with Danny DeVito and Andy Kaufman, and Alice, the diner comedy of the seventies. The new ones carry the torch: St. Denis Medical, The Paper, a mockumentary from The Office's creators, and ted.

Classic cartoons

The classic cartoons shelf is BrocoFlix's most nostalgic corner, fifty-five animated series from four decades. The Simpsons leads with thirty-seven seasons and more than eight hundred episodes, and Futurama, its science-fiction sibling, follows. SpongeBob SquarePants has lived in his pineapple under the sea for more than six hundred episodes.

The Cartoon Network and Nickelodeon years are here in full: Courage the Cowardly Dog, Johnny Bravo, CatDog, The Fairly OddParents, The Amazing World of Gumball and the eighties' ThunderCats. Adventure Time and Gravity Falls are the ones grown-ups love as much as children.

The later classics are as good: Avatar: The Last Airbender, three seasons often called the best animated series ever made, The Owl House, Amphibia, Infinity Train and Scooby-Doo! Mystery Incorporated, the darkest and best Scooby-Doo. Batman from 1966 and X-Men: Evolution bring the superheroes.

Animation for grown-ups

Adult animation is one of the liveliest corners of the catalogue. Family Guy and South Park are the long-running satirists, twenty-plus seasons each, and Solar Opposites puts aliens in American suburbia. INVINCIBLE is the superhero story that pulls no punches.

The independent animation of the internet age has found huge audiences: Hazbin Hotel and Helluva Boss, both from Vivienne Medrano, and The Amazing Digital Circus, a trapped cast in a surreal virtual world. The Legend of Vox Machina turns a tabletop campaign into fantasy adventure, Love, Death & Robots is a short-film anthology, and Genndy Tartakovsky's Primal tells a caveman and a dinosaur's friendship with no dialogue at all. Devil May Cry and Twisted Metal bring the video games.

Anime

The anime shelf holds thirty-six series and films. The long runs are the giants: Naruto, two hundred and twenty episodes of a young ninja who wants to be Hokage, One Piece, more than eleven hundred episodes of Luffy's crew, and Black Clover.

The modern favourites are close behind. Jujutsu Kaisen is the sorcery action series of the decade, Attack on Titan finished its four seasons with one of the great endings, and Frieren: Beyond Journey's End is the gentle fantasy everyone recommends. Haikyu!! makes volleyball the most exciting sport on earth, Fullmetal Alchemist: Brotherhood is the classic first anime, and PLUTO is Naoki Urasawa's murder mystery among robots.

The films are here too: Demon Slayer: Infinity Castle, Chainsaw Man – The Movie: Reze Arc and the live-action Exit 8, adapted from the looping-corridor game.

Science fiction

The science fiction and fantasy shelf is the biggest on the site. On television, Stranger Things finished its five seasons in Hawkins, Severance split its office workers' minds, and Black Mirror keeps asking what technology will do to us next. Westworld ran four ambitious seasons, Firefly needed only eleven episodes to become a legend, and Twin Peaks is David Lynch's strangest small town.

Doctor Who, The Orville, Star Trek: Lower Decks and Fallout are the fun ones, and Murderbot, a security android that would rather watch soap operas, and Vince Gilligan's Pluribus are the new ones. The films run from Stanley Kubrick's 2001: A Space Odyssey and Ridley Scott's Blade Runner to Avatar, Avatar: Fire and Ash and Pacific Rim.

Fantasy and the supernatural

The fantasy shelf mixes the grand and the cosy. A Knight of the Seven Kingdoms brings Westeros down to the scale of one hedge knight. Good Omens pairs an angel and a demon trying to stop the apocalypse. Wednesday and Percy Jackson and the Olympians are the school stories of the supernatural.

The older series hold up beautifully: Buffy the Vampire Slayer, seven seasons of Sunnydale's Hellmouth, Sabrina, the Teenage Witch with her talking cat, Being Human, Dollhouse and Resident Alien. On film, The Lion, the Witch and the Wardrobe, The Princess Bride and the Harry Potter films are the family favourites, with Wicked and Wicked: For Good for the musical fans.

Star Wars, in story order

The Star Wars shelf keeps its titles in the order the story happens. The Clone Wars comes first, seven animated seasons of Anakin, Obi-Wan and Ahsoka in the war between the prequel films. This year's Maul – Shadow Lord follows the former Sith apprentice in the underworld after the war.

Star Wars Rebels tells the early days of the Rebellion through a small crew on the ship Ghost, four seasons that many fans rank beside the films. And The Mandalorian and Grogu brings the bounty hunter and his foundling to the cinema after the fall of the Empire. Watched in order, the shelf is a long and rewarding tour of the galaxy.

Crime and detectives

The crime and mystery shelf runs from the greatest drama of its century to the cosiest village murders. Breaking Bad is five seasons of a chemistry teacher's descent, and Narcos tells Pablo Escobar's rise and fall in Colombia, in English and Spanish.

The detectives are a joy: Columbo, the rumpled lieutenant with just one more thing; Psych, a fake psychic and his best friend solving cases in Santa Barbara; Castle; Midsomer Murders, the most dangerous English villages in fiction; Magnum, P.I. in Hawaii; and Jeremy Brett's definitive Sherlock Holmes. On film, Knives Out, Murder on the Orient Express, Se7en, Primal Fear and Reservoir Dogs cover every shade of the genre.

Drama worth the time

The prestige dramas on BrocoFlix are the ones people still argue about. Mad Men is seven seasons of Don Draper and the advertising sixties. The Bear is a Chicago kitchen at full heat. The Pitt tells each season as one shift in an emergency room. The Queen's Gambit made chess thrilling in seven episodes.

Barry is a hitman who wants to be an actor, and grows darker and better with each season. Black Sails is the pirate drama that turned into a prequel to Treasure Island. The Borgias is Renaissance power at its most ruthless, Rivals is eighties British television scandal, and Euphoria and Heartstopper are the teenage stories at opposite ends of the mood scale. Formula 1: Drive to Survive is the documentary series that made a sport a drama, perfect beside the film F1.

Español latino

"Brocoflix lat" is how many viewers in the Americas look for the Latin American Spanish audio, and the español latino guide explains where to find it on every service. The español latino shelf gathers the films and series made in Spanish.

Mexico's great directors lead it: Guillermo del Toro's Pan's Labyrinth, a fairy tale set in the shadow of the Spanish Civil War; Alfonso Cuarón's Roma, his memory of a Mexico City childhood in black and white; and Alejandro G. Iñárritu's Amores Perros, three stories joined by a car crash. Pedro Páramo adapts Juan Rulfo's ghostly novel, and One Hundred Years of Solitude brings Gabriel García Márquez's Macondo to the screen for the first time, filmed in Colombia.

From Spain and beyond come J. A. Bayona's Society of the Snow, the Andes survival story told with the survivors, and Money Heist, the Professor's red-jumpsuited crew. La oficina is the Mexican version of The Office, set at a soap company in Aguascalientes, and Cuba's animated Vampires in Havana is a cult treasure.

The classics

The classics shelf holds everything made before 2000. The films are cinema's canon: The Godfather, 2001: A Space Odyssey, Kubrick's Dr. Strangelove, Singin' in the Rain, Mary Poppins, The Princess Bride and The Truman Show. Spielberg's Hook, Rush Hour and Jingle All the Way are the nineties comfort viewing.

The television classics are as rich: Twin Peaks, Seinfeld, Columbo, Taxi, Dinosaurs, the puppet sitcom about a family of dinosaurs, and Sesame Street, more than fifty seasons of teaching children to count.

Family films

The family shelf runs from Pixar to Narnia. Monsters, Inc., Monsters University, Ratatouille, Coco and Cars are the Pixar favourites, and Zootopia, Zootopia 2, Mulan and The Emperor's New Groove the Disney ones.

Kung Fu Panda, The Grinch, Night at the Museum, Spy Kids, Real Steel and the Spider-Verse films complete a strong shelf, and the Harry Potter films, from The Philosopher's Stone to The Prisoner of Azkaban, are the family project for a long weekend.

Directors to follow

Following a director is one of the best ways to browse BrocoFlix. Guillermo del Toro has Pan's Labyrinth, Pacific Rim and Frankenstein, three very different films about monsters and the people who love them. Quentin Tarantino has Reservoir Dogs and Inglourious Basterds. Stanley Kubrick has 2001 and Dr. Strangelove.

Wes Anderson has Isle of Dogs and The Phoenician Scheme; Rian Johnson both Knives Out mysteries; Danny Boyle both infected Britains; Taika Waititi Jojo Rabbit; Michel Gondry Eternal Sunshine of the Spotless Mind; Damien Chazelle Whiplash; Alex Garland Civil War; and the Daniels Everything Everywhere All at Once. Each title page names its director, and search finds the rest.

Monster movies, big and small

BrocoFlix loves a monster, and the shelf of creature films is one of the most entertaining corners of the catalogue. At the giant end sit Kong: Skull Island, which drops a team of soldiers and scientists onto an uncharted island in 1973 and lets the king of the apes decide who leaves, Roland Emmerich's Godzilla from 1998, which sends the monster through the streets of Manhattan, and Guillermo del Toro's Pacific Rim, where giant robots fight giant monsters rising from a rift in the Pacific floor.

At the human scale the monsters are more frightening. John Carpenter's The Thing traps twelve men at an Antarctic station with something that can look like any of them, and its practical effects are still astonishing more than forty years later. Predator: Badlands turns the franchise around by making a young Predator its hero. This year's Primate sends a family's pet chimpanzee into a rage during a holiday on a remote island, and 28 Years Later finds new horrors in an England that has lived with the infected for a generation.

A monster double bill is one of the best evenings the catalogue offers: one giant, one small, and the lights off for the second. The Watch now lists make it easy to check that both are on the same service before you begin.

From game to screen

Video games have become one of the richest sources of film and television, and BrocoFlix has a strong shelf of adaptations. Fallout turned the post-nuclear role-playing games into two seasons of wasteland adventure with a very dark sense of humour. Twisted Metal is a demolition-derby road trip across a ruined America, and Devil May Cry gives the demon hunter Dante an animated series with style to spare.

On the film side, The Super Mario Galaxy Movie takes Mario and Luigi into space this year, Five Nights at Freddy's 2 returns to the animatronic pizzeria, and Iron Lung adapts the claustrophobic submarine horror game, directed by the YouTuber who made it famous. Exit 8 turns the Japanese looping-corridor game into a film, and the older Resident Evil: Apocalypse remembers the franchise's first run in cinemas.

Game adaptations used to be a joke; the best of these show how far the form has come, and several of them are among the most watched titles on the site.

Procedurals and network favourites

The network procedurals are the comfort food of television, and BrocoFlix keeps a good helping. The Rookie has Nathan Fillion joining the Los Angeles police at forty, eight seasons of cases and character. High Potential gives Kaitlin Olson a single mother with a genius-level mind who ends up consulting for the police after tidying their files. Hawaii Five-0 runs ten sunny seasons of island crime, and Castle pairs a crime novelist with a New York detective.

The lighter end has Franklin & Bash, two unconventional lawyers, and Doctor Odyssey, a doctor aboard a luxury cruise ship. And Lost, six seasons on a very strange island, remains the network drama that taught a generation to theorise between episodes.

Procedurals are built for the episode marks: most episodes are complete in themselves, so you can dip in for one or watch five in a row, and the next one is always waiting where you left it.

Planning a week with My List

My List turns BrocoFlix into a plan. Tap the heart on any title page and it joins the list, which keeps the order you added things in. A good habit is to build a week at a time: a film for the weekend, a series to follow on weeknights, something short for the evenings with less time, and one thing from a shelf you have never opened, the Spanish-language shelf, the anime, a classic from before 2000.

The episode marks sit alongside the list, so a half-finished series always opens at the next episode, and the New episodes list tells you when a returning show has something new. Between them, the list and the marks mean you never lose your place and never run out of something to watch.

All of it stays in your own browser: the list, your viewing country and the episodes you tick. There is no account to create, nothing is sent anywhere, and clearing the site's data resets everything. The privacy page lists exactly what is kept, and the about page tells the site's story.

From the page to the screen

A surprising number of BrocoFlix's best titles began as books, and following them is a pleasant way to browse. Stephen King has two very different adaptations here: Brian De Palma's Carrie from 1976, the telekinetic prom night that made King's name in Hollywood, and last year's The Long Walk, the grim contest King wrote as a student, in which a hundred boys walk until only one remains. Andy Weir's Project Hail Mary follows The Martian into cinemas this year.

The Latin American classics arrive with enormous care: One Hundred Years of Solitude, Gabriel García Márquez's saga of the Buendía family, filmed in Spanish in Colombia with the author's family's blessing, and Pedro Páramo, Juan Rulfo's short, haunted novel of a village of the dead. Walter Tevis's novel became The Queen's Gambit, Terry Pratchett and Neil Gaiman's became Good Omens, and Martha Wells's Murderbot Diaries became Murderbot.

For families there are C. S. Lewis's Narnia, J. K. Rowling's Harry Potter and William Goldman's The Princess Bride, a film as quotable as the book. Reading first or watching first is a matter of taste; the title pages say which book each one comes from.

True stories

Some of the most gripping titles on BrocoFlix really happened. Society of the Snow tells the 1972 Andes air crash from the survivors' side, seventy-two days on a glacier. Nuremberg follows the psychiatrist who examined Hermann Göring before the war-crimes trials. Narcos tells the hunt for Pablo Escobar across Colombia, and Better Man Robbie Williams's rise, fall and recovery.

Roma is Alfonso Cuarón's memory of his own childhood and the woman who cared for his family. Formula 1: Drive to Survive follows the real drivers and team bosses through each season, and the documentary Niñxs follows a girl growing up in a small Mexican town. Each tells its story with the care real lives deserve.

Watch now and your country

Every title page carries the green Watch now button. Press it and a list opens naming every service that carries the title in your viewing country, grouped by how you pay: free with advertising, included in a subscription, or to rent or buy, the free ones marked. Tap a service and the title opens there.

The list is always current for the country you choose, because rights are sold country by country and change over time. A film that sits on one service this month may move to another next month, and a series that is free with advertising in Canada may be part of a subscription in Australia. BrocoFlix shows the options as they stand, so the Watch now button is the one place to check before you settle in.

Your viewing country is chosen once and stays in your browser. The classic cartoons and older sitcoms are often free with advertising in the United States, Canada and the United Kingdom; the new films sit on one subscription service or to rent; the anime lives on the specialist services and the general ones; and the Spanish-language titles are most widely carried in Mexico, Colombia, Argentina and the United States.

New episodes and your place

New episodes, the first chip in the category row, lists the most recent dated episodes across every series, so a returning show appears the week it comes back. Each series page lists every season, and each season every episode with its date and synopsis. The seasons and episodes guide covers the details.

Tick an episode as watched and the next one is highlighted when you return. For the long runs, The Simpsons, One Piece, Sesame Street, the marks are how you find your way back after months away. They stay in your browser with your list, and nothing else is stored.

The app

BrocoFlix installs from the browser in two taps: Install app or Add to Home screen in Chrome on Android, Share and Add to Home Screen in Safari on iPhone, and Install BrocoFlix in Chrome or Edge on a PC. The broccoli icon opens full-screen with your list inside and updates itself whenever the site does, which makes it the app and the APK in one. The app page has the steps, and the devices page covers the television.

The addresses

The design follows brocoflix.xyz, and brocoflix.lol carried the same green scheme before it. When an address stops loading, people search for a mirror or a proxy; the simplest answer is this address, bookmarked or installed. The addresses page explains how to recognise BrocoFlix at a glance: the near-black page, the green wordmark and broccoli mark, the rounded search pill and the green play glyph on every poster.

Safe, legal and free

BrocoFlix is browsed with no sign-up, no payment, no plug-in and nothing to install, and it keeps only your list, your viewing country and your episode marks, in your own browser. Every title plays on the licensed service you pick from its Watch now list. The safe and legal page covers it, the not working page answers "is BrocoFlix down?", and the alternatives page sets out what Reddit and Discord ask.

The free movies page points to the titles that play free with advertising in your country; the classics and the cartoons are the likeliest.

Seven fresh evenings

Monday, a sitcom night. Three episodes of Seinfeld, then three of The IT Crowd. Nothing happens, beautifully.

Tuesday, a Dexter night. The first two episodes of Dexter. You will be back on Wednesday.

Wednesday, an anime night. The first three episodes of Frieren, a quiet evening with an elf who has all the time in the world.

Thursday, a classic. 2001: A Space Odyssey, on the biggest screen in the house.

Friday, a horror double bill. The Thing, then Sinners: forty years of the best monster movies.

Saturday, cartoons. Gravity Falls in the morning with the children, Futurama in the evening without them.

Sunday, Mexico. Pan's Labyrinth in the original Spanish, then Roma if the evening allows.

Questions